A Thousand Splendid Suns Page 2

  "He has servants," Mariam said. "He could send a servant."

  "His idea of penance," Nana said.

  The sound of the wheelbarrow drew Mariam and Nana outside. Mariam would always remember Nana the way she looked on Ration Day: a tall, bony, barefoot woman leaning in the doorway, her lazy eye narrowed to a slit, arms crossed in a defiant and mocking way. Her short-cropped, sunlit hair would be uncovered and uncombed. She would wear an ill-fitting gray shirt buttoned to the throat. The pockets were filled with walnut-sized rocks.

  The boys sat by the stream and waited as Mariam and Nana transferred the rations to the kolba. They knew better than to get any closer than thirty yards, even though Nana's aim was poor and most of the rocks landed well short of their targets. Nana yelled at the boys as she carried bags of rice inside, and called them names Mariam didn't understand. She cursed their mothers, made hateful faces at them. The boys never returned the insults.

  Mariam felt sorry for the boys. How tired their arms and legs must be, she thought pityingly, pushing that heavy load. She wished she were allowed to offer them water. But she said nothing, and if they waved at her she didn't wave back. Once, to please Nana, Mariam even yelled at Muhsin, told him he had a mouth shaped like a lizard's ass--and was consumed later with guilt, shame, and fear that they would tell Jalil. Nana, though, laughed so hard, her rotting front tooth in full display, that Mariam thought she would lapse into one of her fits. She looked at Mariam when she was done and said, "You're a good daughter."

  When the barrow was empty, the boys scuffled back and pushed it away. Mariam would wait and watch them disappear into the tall grass and flowering weeds.

  "Are you coming?"

  "Yes, Nana."

  "They laugh at you. They do. I hear them."

  "I'm coming."

  "You don't believe me?"

  "Here I am."

  "You know I love you, Mariam jo."

  *

  IN THE MORNINGS, they awoke to the distant bleating of sheep and the high-pitched toot of a flute as Gul Daman's shepherds led their flock to graze on the grassy hillside. Mariam and Nana milked the goats, fed the hens, and collected eggs. They made bread together. Nana showed her how to knead dough, how to kindle the tandoor and slap the flattened dough onto its inner walls. Nana taught her to sew too, and to cook rice and all the different toppings: shalqam stew with turnip, spinach sabzi, cauliflower with ginger.

  Nana made no secret of her dislike for visitors--and, in fact, people in general--but she made exceptions for a select few. And so there was Gul Daman's leader, the village arbab, Habib Khan, a small-headed, bearded man with a large belly who came by once a month or so, tailed by a servant, who carried a chicken, sometimes a pot of kichiri rice, or a basket of dyed eggs, for Mariam.

  Then there was a rotund, old woman that Nana called Bibi jo, whose late husband had been a stone carver and friends with Nana's father. Bibi jo was invariably accompanied by one of her six brides and a grandchild or two. She limped and huffed her way across the clearing and made a great show of rubbing her hip and lowering herself, with a pained sigh, onto the chair that Nana pulled up for her. Bibi jo too always brought Mariam something, a box of dishlemeh candy, a basket of quinces. For Nana, she first brought complaints about her failing health, and then gossip from Herat and Gul Daman, delivered at length and with gusto, as her daughter-in-law sat listening quietly and dutifully behind her.

  But Mariam's favorite, other than Jalil of course, was Mullah Faizullah, the elderly village Koran tutor, its akhund. He came by once or twice a week from Gul Daman to teach Mariam the five daily namaz prayers and tutor her in Koran recitation, just as he had taught Nana when she'd been a little girl. It was Mullah Faizullah who had taught Mariam to read, who had patiently looked over her shoulder as her lips worked the words soundlessly, her index finger lingering beneath each word, pressing until the nail bed went white, as though she could squeeze the meaning out of the symbols. It was Mullah Faizullah who had held her hand, guided the pencil in it along the rise of each alef, the curve of each beh, the three dots of each seh.

  He was a gaunt, stooping old man with a toothless smile and a white beard that dropped to his navel. Usually, he came alone to the kolba, though sometimes with his russet-haired son Hamza, who was a few years older than Mariam. When he showed up at the kolba, Mariam kissed Mullah Faizullah's hand--which felt like kissing a set of twigs covered with a thin layer of skin--and he kissed the top of her brow before they sat inside for the day's lesson. After, the two of them sat outside the kolba, ate pine nuts and sipped green tea, watched the bulbul birds darting from tree to tree. Sometimes they went for walks among the bronze fallen leaves and alder bushes, along the stream and toward the mountains. Mullah Faizullah twirled the beads of his tasbeh rosary as they strolled, and, in his quivering voice, told Mariam stories of all the things he'd seen in his youth, like the two-headed snake he'd found in Iran, on Isfahan's Thirty-three Arch Bridge, or the watermelon he had split once outside the Blue Mosque in Mazar, to find the seeds forming the words Allah on one half, Akbar on the other.

  Mullah Faizullah admitted to Mariam that, at times, he did not understand the meaning of the Koran's words. But he said he liked the enchanting sounds the Arabic words made as they rolled off his tongue. He said they comforted him, eased his heart.

  "They'll comfort you too, Mariam jo," he said. "You can summon them in your time of need, and they won't fail you. God's words will never betray you, my girl."

  Mullah Faizullah listened to stories as well as he told them. When Mariam spoke, his attention never wavered. He nodded slowly and smiled with a look of gratitude, as if he had been granted a coveted privilege. It was easy to tell Mullah Faizullah things that Mariam didn't dare tell Nana.

  One day, as they were walking, Mariam told him that she wished she would be allowed to go to school.

  "I mean a real school, akhund sahib. Like in a classroom. Like my father's other kids."

  Mullah Faizullah stopped.

  The week before, Bibi jo had brought news that Jalil's daughters Saideh and Naheed were going to the Mehri School for girls in Herat. Since then, thoughts of classrooms and teachers had rattled around Mariam's head, images of notebooks with lined pages, columns of numbers, and pens that made dark, heavy marks. She pictured herself in a classroom with other girls her age. Mariam longed to place a ruler on a page and draw important-looking lines.

  "Is that what you want?" Mullah Faizullah said, looking at her with his soft, watery eyes, his hands behind his stooping back, the shadow of his turban falling on a patch of bristling buttercups.

  "Yes."

  "And you want me to ask your mother for permission."

  Mariam smiled. Other than Jalil, she thought there was no one in the world who understood her better than her old tutor.

  "Then what can I do? God, in His wisdom, has given us each weaknesses, and foremost among my many is that I am powerless to refuse you, Mariam jo," he said, tapping her cheek with one arthritic finger.

  But later, when he broached Nana, she dropped the knife with which she was slicing onions. "What for?"

  "If the girl wants to learn, let her, my dear. Let the girl have an education."

  "Learn? Learn what, Mullah sahib?" Nana said sharply. "What is there to learn?" She snapped her eyes toward Mariam.

  Mariam looked down at her hands.

  "What's the sense schooling a girl like you? It's like shining a spittoon. And you'll learn nothing of value in those schools. There is only one, only one skill a woman like you and me needs in life, and they don't teach it in school. Look at me."

  "You should not speak like this to her, my child," Mullah Faizullah said.

  "Look at me."

  Mariam did.

  "Only one skill. And it's this: tahamul. Endure."

  "Endure what, Nana?"

  "Oh, don't you fret about that," Nana said. "There won't be any shortage of things."

  She went on to say how Jalil's wives ha
d called her an ugly, lowly stone carver's daughter. How they'd made her wash laundry outside in the cold until her face went numb and her fingertips burned.

  "It's our lot in life, Mariam. Women like us. We endure. It's all we have. Do you understand? Besides, they'll laugh at you in school. They will. They'll call you harami. They'll say the most terrible things about you. I won't have it."

  Mariam nodded.

  "And no more talk about school. You're all I have. I won't lose you to them. Look at me. No more talk about school."

  "Be reasonable. Come now. If the girl wants--" Mullah Faizullah began.

  "And you, akhund sahib, with all due respect, you should know better than to encourage these foolish ideas of hers. If you really care about her, then you make her see that she belongs here at home with her mother. There is nothing out there for her. Nothing but rejection and heartache. I know , akhund sahib. I know."

  4.

  Mariam loved having visitors at the kolba. The village arbab and his gifts, Bibi jo and her aching hip and endless gossiping, and, of course, Mullah Faizullah. But there was no one, no one, that Mariam longed to see more than Jalil.

  The anxiety set in on Tuesday nights. Mariam would sleep poorly, fretting that some business entanglement would prevent Jalil from coming on Thursday, that she would have to wait a whole other week to see him. On Wednesdays, she paced outside, around the kolba, tossed chicken feed absentmindedly into the coop. She went for aimless walks, picking petals from flowers and batting at the mosquitoes nibbling on her arms. Finally, on Thursdays, all she could do was sit against a wall, eyes glued to the stream, and wait. If Jalil was running late, a terrible dread filled her bit by bit. Her knees would weaken, and she would have to go somewhere and lie down.

  Then Nana would call, "And there he is, your father. In all his glory."

  Mariam would leap to her feet when she spotted him hopping stones across the stream, all smiles and hearty waves. Mariam knew that Nana was watching her, gauging her reaction, and it always took effort to stay in the doorway, to wait, to watch him slowly make his way to her, to not run to him. She restrained herself, patiently watched him walk through the tall grass, his suit jacket slung over his shoulder, the breeze lifting his red necktie.

  When Jalil entered the clearing, he would throw his jacket on the tandoor and open his arms. Mariam would walk, then finally run, to him, and he would catch her under the arms and toss her up high. Mariam would squeal.

  Suspended in the air, Mariam would see Jalil's upturned face below her, his wide, crooked smile, his widow's peak, his cleft chin--a perfect pocket for the tip of her pinkie--his teeth, the whitest in a town of rotting molars. She liked his trimmed mustache, and she liked that no matter the weather he always wore a suit on his visits--dark brown, his favorite color, with the white triangle of a handkerchief in the breast pocket--and cuff links too, and a tie, usually red, which he left loosened. Mariam could see herself too, reflected in the brown of Jalil's eyes: her hair billowing, her face blazing with excitement, the sky behind her.

  Nana said that one of these days he would miss, that she, Mariam, would slip through his fingers, hit the ground, and break a bone. But Mariam did not believe that Jalil would drop her. She believed that she would always land safely into her father's clean, well-manicured hands.

  They sat outside the kolba, in the shade, and Nana served them tea. Jalil and she acknowledged each other with an uneasy smile and a nod. Jalil never brought up Nana's rock throwing or her cursing.

  Despite her rants against him when he wasn't around, Nana was subdued and mannerly when Jalil visited. Her hair was always washed. She brushed her teeth, wore her best hijab for him. She sat quietly on a chair across from him, hands folded on her lap. She did not look at him directly and never used coarse language around him. When she laughed, she covered her mouth with a fist to hide the bad tooth.

  Nana asked about his businesses. And his wives too. When she told him that she had heard, through Bibi jo, that his youngest wife, Nargis, was expecting her third child, Jalil smiled courteously and nodded.

  "Well. You must be happy," Nana said. "How many is that for you, now? Ten, is it, mashallah? Ten?"

  Jalil said yes, ten.

  "Eleven, if you count Mariam, of course."

  Later, after Jalil went home, Mariam and Nana had a small fight about this. Mariam said she had tricked him.

  After tea with Nana, Mariam and Jalil always went fishing in the stream. He showed her how to cast her line, how to reel in the trout. He taught her the proper way to gut a trout, to clean it, to lift the meat off the bone in one motion. He drew pictures for her as they waited for a strike, showed her how to draw an elephant in one stroke without ever lifting the pen off the paper. He taught her rhymes. Together they sang:

  Lili lili birdbath,

  Sitting on a dirt path,

  Minnow sat on the rim and drank,

  Slipped, and in the water she sank.

  Jalil brought clippings from Herat's newspaper, Ittifaq-i Islam, and read from them to her. He was Mariam's link, her proof that there existed a world at large, beyond the kolba, beyond Gul Daman and Herat too, a world of presidents with unpronounceable names, and trains and museums and soccer, and rockets that orbited the earth and landed on the moon, and, every Thursday, Jalil brought a piece of that world with him to the kolba.

  He was the one who told her in the summer of 1973, when Mariam was fourteen, that King Zahir Shah, who had ruled from Kabul for forty years, had been overthrown in a bloodless coup.

  "His cousin Daoud Khan did it while the king was in Italy getting medical treatment. You remember Daoud Khan, right? I told you about him. He was prime minister in Kabul when you were born. Anyway, Afghanistan is no longer a monarchy, Mariam. You see, it's a republic now, and Daoud Khan is the president. There are rumors that the socialists in Kabul helped him take power. Not that he's a socialist himself, mind you, but that they helped him. That's the rumor anyway."

  Mariam asked him what a socialist was and Jalil began to explain, but Mariam barely heard him.

  "Are you listening?"

  "I am."

  He saw her looking at the bulge in his coat's side pocket. "Ah. Of course. Well. Here, then. Without further ado..."

  He fished a small box from his pocket and gave it to her. He did this from time to time, bring her small presents. A carnelian bracelet cuff one time, a choker with lapis lazuli beads another. That day, Mariam opened the box and found a leaf-shaped pendant, tiny coins etched with moons and stars hanging from it.

  "Try it on, Mariam jo."

  She did. "What do you think?"

  Jalil beamed. "I think you look like a queen."

  After he left, Nana saw the pendant around Mariam's neck.

  "Nomad jewelry," she said. "I've seen them make it. They melt the coins people throw at them and make jewelry. Let's see him bring you gold next time, your precious father. Let's see him."

  When it was time for Jalil to leave, Mariam always stood in the doorway and watched him exit the clearing, deflated at the thought of the week that stood, like an immense, immovable object, between her and his next visit. Mariam always held her breath as she watched him go. She held her breath and, in her head, counted seconds. She pretended that for each second that she didn't breathe, God would grant her another day with Jalil.

  At night, Mariam lay in her cot and wondered what his house in Herat was like. She wondered what it would be like to live with him, to see him every day. She pictured herself handing him a towel as he shaved, telling him when he nicked himself. She would brew tea for him. She would sew on his missing buttons. They would take walks in Herat together, in the vaulted bazaar where Jalil said you could find anything you wanted. They would ride in his car, and people would point and say, "There goes Jalil Khan with his daughter." He would show her the famed tree that had a poet buried beneath it.

  One day soon, Mariam decided, she would tell Jalil these things. And when he heard, when he saw how m
uch she missed him when he was gone, he would surely take her with him. He would bring her to Herat, to live in his house, just like his other children.

  5.

  I know what I want," Mariam said to Jalil.

  It was the spring of 1974, the year Mariam turned fifteen. The three of them were sitting outside the kolba, in a patch of shade thrown by the willows, on folding chairs arranged in a triangle.

  "For my birthday...I know what I want."

  "You do?" said Jalil, smiling encouragingly.

  Two weeks before, at Mariam's prodding, Jalil had let on that an American film was playing at his cinema. It was a special kind of film, what he'd called a cartoon. The entire film was a series of drawings, he said, thousands of them, so that when they were made into a film and projected onto a screen you had the illusion that the drawings were moving. Jalil said the film told the story of an old, childless toymaker who is lonely and desperately wants a son. So he carves a puppet, a boy, who magically comes to life. Mariam had asked him to tell her more, and Jalil said that the old man and his puppet had all sorts of adventures, that there was a place called Pleasure Island, and bad boys who turned into donkeys. They even got swallowed by a whale at the end, the puppet and his father. Mariam had told Mullah Faizullah all about this film.

  "I want you to take me to your cinema," Mariam said now. "I want to see the cartoon. I want to see the puppet boy."

  With this, Mariam sensed a shift in the atmosphere. Her parents stirred in their seats. Mariam could feel them exchanging looks.

  "That's not a good idea," said Nana. Her voice was calm, had the controlled, polite tone she used around Jalil, but Mariam could feel her hard, accusing glare.

  Jalil shifted on his chair. He coughed, cleared his throat.

  "You know," he said, "the picture quality isn't that good. Neither is the sound. And the projector's been malfunctioning recently. Maybe your mother is right. Maybe you can think of another present, Mariam jo."

  "Aneh," Nana said. "You see? Your father agrees."

  *

  BUT LATER, at the stream, Mariam said, "Take me."